January 2000

• Oscar Wilde: During the Trials and the Aftermath Reviews of Michael S Foldy: The Trials of Oscar Wilde: Deviance, Morality and Late-Victorian Society; and Mark Hitchens: Oscar Wilde’s Last Chance: The Dreyfus Connection – Anya Clayworth
• Wilde Inside in Melbourne, directed by Colette Mann – Caroline Cotton
• Personal Impressions of America: Oscar Wilde in Southport – Donald Mead
• The New World’s Classics Dorian Gray –The Picture of Dorian Gray with an introduction by Edmund White – Donald Mead
• Constance Wilde’s Ideal Home Revealed – Ernest Mehew
• Playing with Wilde – Corin Redgrave
• The Importance of Being Ernest? – Peter Rowland
• Salomé at the Riverside Studio Theatre, adapted and directed by Mick Gordon – Bindon Russell
• ‘Earnest’ as a novel Review of Charles Osborne: The Importance of Being Earnest: a trivial novel for serious people – Michael Seeney
• Alan Sinfield: Out on Stage: Lesbian and Gay Theatre in the Twentieth Century – Michael Seeney
• The Kaos Theatre Company The Importance of Being Earnest – Michael Seeney
• Diversions and Digressions – Sir Donald Sinden
• Arrest of Oscar Wilde at the Cadogan Hotel, The – Paul Taylor
• Pretty Little Houses for Everyone – Constance Wilde
• Wilde the Exile: A Life Lived in Letters – Julia Wood